The Azrieli Music Prizes Performance Fund (AMP-PF) supports professional music ensembles from around the world in preparing and presenting excellent public performances of AMP-winning works.
Applications are closed.

The Azrieli Music Prizes Performance Fund (AMP-PF) supports professional music ensembles from around the world in preparing and presenting excellent public performances of AMP-winning works. Ensembles may request support in amounts between $5,000 CAD and $25,000 CAD to help cover the costs of: score and parts rental; soloist fees; additional rehearsal time to prepare the AMP-winning works; augmented concert promotions; and attendance of AMP Laureates at the rehearsals and the concert of their winning work.

AMP-PF Funds are allocated on an annual basis to deserving music ensembles through a competitive selection process.

The 2024 Azrieli Music Prizes Laureates
Learn about our esteemed artists.
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The Azrieli Music Prizes Performance Fund

Eligibility

To be eligible for AMP-PF support, music ensembles must:

  • be a registered not-for-profit corporation or charitable institution in their home country;
  • retain professional artistic and administrative leadership and hire professional musicians;
  • have completed at least two years of operations as a live concert music producer and presenting organization;
  • demonstrate regular, ongoing live concert programming that is delivered to professional performance standards before a paying audience;
  • propose to program at least one AMP-winning work in their 2024-2025, 2025-2026 or 2026-2027 concert season; and;
  • exhibit good governance, administrative structure and financial management.

The Proposal Package

PLEASE NOTE: AMP will only accept one proposal per music ensemble per year.

Multiple proposals from the same ensemble will not be accepted.

The completed application form and supporting documents must be submitted online on or before July 12th, 2024.

The proposal package must include:

  • Information about the music ensemble that demonstrates it meets the Fund’s eligibility criteria, including:
  • name, address, and corporate and/or charitable registration number; • names and short biographies for artistic and administrative leadership;
  • documentation of the past concert season and the current season’s programming;
  • financial statements for the most recently completed fiscal year; and
  • a budget for the fiscal year that includes the proposal.
  • Audiovisual recordings of the ensemble performing two contrasting and recent examples of contemporary works
  • Examples may be sent as audio and/or video. Accepted formats are MP3 or WAV for audio and MP4 or MOV for video
  • Hyperlinks for freely accessible audiovisual recordings posted online will also be accepted (e.g. YouTube videos and the like)
  • A proposal for the concert featuring the AMP-winning work(s), including:
  • Concert date and location (Please Note: this concert must fall in the 2024-2025, 2025-2026 or 2026-2027 season to be eligible for AMP-PF support);
  • Name of proposed soloist(s) (if required);
  • A list of other works that will appear on the concert program;
  • If part of a concert season, a brief explanation of how the proposed concert fits into the season; and
  • A brief statement about how the concert will help advance the objectives of the Azrieli Music Prizes.
  • A concert budget showing the amount requested of the AMP-PF (not to exceed $25,000 CAD) with a short explanation for how the funds will be used.
  • Optional: Submissions may be accompanied by no more than two letters of reference. All letters should clearly indicate the applicant’s name as follows: “(Ensemble’s Name) Letter of Reference, Azrieli Music Prizes Performance Fund” Please use the AMP-PF PROPOSAL FORM to organize your work.

Ensemble Committments

The ensembles that receive AMP-PF support agree to:

  • Program AMP-winning work(s) in a manner that features it/them in the best way imaginable and in accordance with world class professional standards;
  • Rehearse and perform the work(s) to world class professional standards;
  • Communicate to the public the Azrieli Music, Arts and Culture Centre (AMACC) and the Azrieli Music Prizes names and logos in relation to the AMP-PF supported concert;
  • Include a special statement in the concert house programme recognizing the Azrieli Music Prizes Performance Fund;
  • Maintain open, timely and professional communication with AMACC concerning the execution of the supported rehearsals and the concert; and
  • Provide a final report to AMACC following completion of the concert, including:
    • a letter recognizing the Azrieli Foundation’s support through AMP-PF;
    • concert documentation, including but not limited to the house programme, photos and media reviews; and
    • one-page reflective statement on how the concert helped meet AMP objectives.

Some Considerations for Successful Submission

In addition to the guidelines and requirements stated above, The Azrieli Music Prizes Advisory Council has provided the following notes to help applicants shape a more successful submission:

  1. Don’t worry about how ‘Jewish’ or ‘Canadian’ your programming is or is not. One of AMP’s objectives is to generate productive intercultural understandings through a rich consideration of what Jewish and Canadian music is and can be.

  2. A successful proposal must be conceptually and musically balanced. Strong, musical examples accompanied by an insubstantial and/or ill-conceived concert proposal will not succeed within the competition. The inverse is also true: a strong concert proposal will not compensate for weak musical examples. The two must go hand-in-hand.

  3. It is preferred that AMP-winning works be programmed alongside other works from the 20th and 21st Century concert repertoire. That said, compelling proposals for programming alongside earlier works will be considered.

  4. Please note that the quality of the support documents greatly affects the ability to evaluate a proposal. Please ensure that submitted recordings are as clear and undistorted as possible and that printed materials are clean and legible. If the reproduction quality is so low that it is difficult to ascertain the product, then this will impact the Council’s evaluation.

  5. Please be certain that submitted written materials and musical examples demonstrate your ensemble’s ability to undertake the rehearsals and concert for one or more of the AMP-winning works to world class industry standards. AMP seeks to support ensembles that will showcase these works at the same level of excellence we expect of our Laureates.

Review Process and Criteria

Once received, proposals are registered and screened by AMACC staff for eligibility and completeness. The proposals that pass this screening are delivered to the AMP Advisory Council as qualified submissions.

The Council will evaluate qualified submissions for their fit and relevancy to the objectives of AMP and the purpose of the Performance Fund. The Council will review and grade the submissions using the following three main criteria: Artistic Merit, Thematic Fit and Capacity. These criteria are separately weighted based on their level of importance to arrive at a score out of 100 for each evaluated submission.

Artistic Merit (50 points)

This is the most important criteria the Council applies in evaluating each submission. It is directly tied to the ensemble’s proven ability to program and perform new concert music at the highest artistic standards. The Council will determine:

  • the level of creativity and distinctiveness displayed in the ensemble’s programming;
  • the ensemble’s capacity to generate high-quality professional performances; and
  • the ability of the submitted musical examples to sustain a listener’s attention over their entire length.

Thematic Fit (30 points)

The Council will evaluate whether the qualified submission:

  • proposes a relevant thematic fit to the objectives of the Azrieli Music Prizes;
  • presents one or more of the AMP-winning works in the best way imaginable, in accordance with world class professional standards;
  • offers an authentic expression of the ensemble’s current and past programming; and
  • produces productive intercultural understandings through a rich consideration of what Jewish and Canadian music is and can be.

Capacity (20 points)

The Council will evaluate the qualified submissions for the ensembles’ ability to execute their concert projects as proposed.

Can the proposal be realistically and successfully achieved? Does the ensemble demonstrate enough previous experience to assure the Council that it will deliver on its proposal on time and on budget? Has the ensemble’s leadership allocated adequate resources to meet the expected standard of achievement?

Those proposals for which the Council can answer these questions in the affirmative will advance in the competition.

Notification

The AMP Advisory Council anticipates making decisions concerning which ensembles/proposals will receive AMP-PF support approximately two months after the deadline (i.e. by mid-September 2024). Successful applicants will be notified by AMACC staff via email with an AMP-PF funding agreement to follow in writing 3-4 weeks later. All other applicants will receive a notification letter along the same timeline.

The decisions of the AMP Advisory Council regarding the Performance Fund are final and non-negotiable. There is no appeal process.

Feedback

The Council does welcome feedback on how to improve the AMP-PF application, evaluation, notification and implementation process. Feedback may be sent by email to music@azrielfoundation.org with the subject line “AMP-PF Feedback” or by post to:

Attn: Azrieli Music Prizes Performance Fund
2 St. Clair Avenue West, 9th Floor
Toronto, ON M4V 1L5
CANADA

The AMP Advisory Council
Ana Sokolović, Chair

Composer Ana Sokolović was born in Belgrade and, since 1992, has been based in Montréal. Her vast catalogue, inspired by differing artistic disciplines, playful images and Balkan rhythms, has been performed regularly throughout Europe and North America.

Sokolović’s works have been recorded on more than 20 albums, earning her two consecutive JUNOS for Classical Composition of the Year. Her opera Svadba, which “seems to invent a universal phonetics of the human heart” (Le Monde), has been performed more than fifty times. In 2021, Sokolović was appointed composer-in-residence of the Orchestre symphonique de Montréal. In 2022, she was awarded the First Canada Research Chair in Opera Creation at the Université de Montréal, where she is a Professor in Composition. Sokolović’s music is published by Boosey & Hawkes.

Sharon Azrieli, CQ, DMus

Celebrated Montréal singer Sharon Azrieli CQ, DMus has performed all around the world, including with the Metropolitan Opera, Sarasota Opera, The Canadian Opera Company, L’Orchestre Métropolitain and at venues including the world-famous Carnegie Hall. For her 38-year versatile career, she was awarded the Chevalière du Québec in 2019. Her albums include A Tribute to Michel Legrand (with Tamir Hendelman,) French Opera Arias, Go To Sleep My Babies, Easily Assimilated (with Matt Herskowitz), Three Concerts with Boris Brott and Frankly Sharon (with Frank Wildhorn), with upcoming albums Canadian Musical Theater, Frank Wildhorn II and a Big Band album.

In film, she portrayed Dinah in the award-winning Holocaust movie SHTTL, Helen in Irena’s Vow and Maxine Cromwell in Wingman. Sharon, who created the Azrieli Music Prizes for the Azrieli Foundation, is dedicated to arts education and philanthropy, serving on the boards of the Azrieli Foundation, the CVAI, L’Orchestre Philharmonique du Québec, the McCord-Stewart Museum and the NAC Foundation.

Brian Current

Brian Current’s music has been broadcast in over 35 countries and awarded a Guggenheim Fellowship, a Barlow Prize (USA), a Premio Fedora (Italy), a Jules Léger Prize and a Selected Work (under 30) at the International Rostrum of Composers.

In 2016, he won the inaugural Azrieli Commission for Jewish Music. Brian’s pieces have been programmed by all major symphony orchestras in Canada and by dozens of professional orchestras, ensembles and opera companies worldwide. His music appears on ten commercial recordings, including three albums devoted exclusively to his works.The Naxos recording of his opera Airline Icarus earned him the 2015 JUNO Award for Best Classical Composition of the Year. Current is also an in-demand guest conductor and regularly leads ensemble and orchestral programs of contemporary music. In 2021, he was appointed Artistic Director of New Music Concerts (NMC).

Since 2007, Dr. Current has been Director of the Glenn Gould School’s New Music Ensemble at The Royal Conservatory.

Jonathan Goldman

Jonathan Goldman is Professor of Musicology in the Université de Montréal Faculty of Music, where his research focuses on modernist and avant-garde music. His book The Musical Language of Pierre Boulez (Cambridge University Press, 2011) won an Opus Prize for book of the year. In November 2018, his co-edited volume of Boulez’s writings (Music Lessons) was published by Faber (UK) and University of Chicago Press. He edited a volume on Quebec composers in 2014 (PUM) and was editor of the contemporary music journal Circuit from 2006 until 2016. His new book, Avant-Garde on Record: Musical Responses to Stereos, was published by Cambridge University Press in 2023.

Jonathan also performs on the bandoneon, having appeared as a soloist with such orchestras as I Musici de Montréal, Signature Symphony Tulsa and Symphony Nova Scotia. In 2015, he won a JUNO award alongside the other members of the Canadian tango ensemble Quartango for best instrumental album as well as two Opus Prizes.

Sylvia L’Écuyer CM

Sylvia L’Écuyer CM is dedicated to the vitality of the arts and music in Canada.

A musicologist by training, and a skilled communicator, she recently retired from Radio-Canada, where she has been sharing her love of classical music with audiences for over 30 years. She has also been Radio-Canada’s director of musical programming and has been a jury member for several arts boards. In addition to her active involvement in the community, she co-founded the Société pour les arts en milieux de santé. She is currently also an Associate Professor at the Université de Montréal Faculty of Music. She made a documentary film (Bali by Heart) about a project of mixing Balinese and Western music in 2006.

In 2007, the French government awarded her the title of Knight of the Order of Arts and Letters. In 2017, she was named a member of the Order of Canada.

Barbara Seal, CM 

Barbara Seal CM is a former citizenship judge, former municipal councillor for the City of Hampstead and a former board member of Place des Arts, the Conseil des arts de Montréal, Montreal Urban Community and the National Forum on Climate Change. She is actively involved in public and community spheres and presently sits on the boards of the National Arts Centre Foundation, the Segal Centre for Performing Arts, the Advisory Board at the McGill School of Continuing Studies and the Advisory Council of the Azrieli Music Prizes. She has received numerous awards and distinctions for her dedication to the community, such as the Canadian Cancer Society Award, the Canadian Parks and Recreational Association Award, the Queen’s Golden Jubilee Medal, the National Assembly Award as well as the Order of Canada in 1993.

She established the Barbara Seal Scholarship for Newcomers to Canada at McGill University in 2012 and participated in the creation of a science internship scholarship for Quebec female students at Tel Aviv University in 2018.

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