The Azrieli Music Prizes Performance Fund (AMP-PF) supports professional music ensembles from around the world in preparing and presenting excellent public performances of AMP-winning works.
Applications are closed.
Applications open May 26, 2025
Deadline for Proposals: July 4, 2025

Ensembles may request support in amounts between $5,000 CAD and $25,000 CAD to help cover the costs of:

  • score and parts rental;
  • soloist fees;
  • additional rehearsal time to prepare the AMP-winning works;
  • augmented concert promotions; and
  • attendance of AMP Laureates at the rehearsals and the concert of their winning work.

AMP-PF Funds are allocated on an annual basis to deserving music ensembles through a competitive selection process. Funding requests must not exceed 50% of the total concert budget.

Created in 2014 by Sharon Azrieli CQ for the Azrieli Foundation, the Azrieli Music Prizes (AMP) offer opportunities for the discovery, creation, performance and celebration of excellence in music composition. Open to the international music community, AMP accepts nominations for works from individuals and institutions of all ages, nationalities, faiths and genders, which are then submitted to its expert juries through an open call for scores and proposals.

The 2024 Azrieli Music Prizes Laureates
Learn about our esteemed artists.
Learn More
The Azrieli Music Prizes Performance Fund

Objectives

The key objectives of the Azrieli Music Prizes are to:

  • encourage excellence in music composition, recognizing and rewarding composers who create innovative and high-quality musical works;
  • promote contemporary classical music, supporting the development and performance of new works on an international scale;
  • advance Jewish music, celebrating and expanding the global repertoire of Jewish music through the Azrieli Prize for Jewish Music and the Azrieli Commission for Jewish Music;
  • support Canadian music, uplifting the contributions of Canadian composers through the Azrieli Commission for Canadian Music;
  • broaden the global classical music repertoire, supporting works that exhibit excellence, creativity and cultural significance through the Azrieli Commission for International Music; and
  • enhance public engagement with music resulting from AMP, ensuring the winning works are performed, recorded and distributed widely to diverse audiences.

Overview

The Azrieli Music Prizes Performance Fund supports the performance of AMP-winning works. For a full list of eligible works, please see the “AMP-Winning Works” tab.

Ensembles may request support in amounts between $5,000 CAD and $25,000 CAD to help cover the costs of:

  • score and parts rental;
  • soloist fees;
  • additional rehearsal time to prepare the AMP-winning works;
  • augmented concert promotions; and
  • attendance of AMP Laureates at the rehearsals and the concert of their winning work.

AMP-PF Funds are allocated on an annual basis to deserving music ensembles through a competitive selection process. Funding requests must not exceed 50% of the total concert budget.

Eligibility

To be eligible for AMP-PF support, a music ensemble must:

  • be a registered not-for-profit corporation or charitable institution in their home country;
  • retain professional artistic and administrative leadership and hire professional musicians;
  • have completed at least two years of operations as a live concert music producer and presenting organization;
  • demonstrate regular, ongoing live concert programming that is delivered to professional performance standards before a paying audience;
  • propose to program at least one AMP-winning work in their 2025-2026, 2026-2027 or 2027-2028 concert season; and
  • exhibit good governance, a strong administrative structure and sound financial management.

Past recipients of AMP-PF support are welcome to submit proposals for future concerts featuring AMP-winning works. However, the Fund will give preference to new applicants over returning applicants.   

The Proposal Package

The completed Proposal Form and supporting documents must be submitted electronically via the AMP-PF online form between May 26 and July 4, 2025. Proposals received after 11:59 PM ET (GMT+5) on July 4, 2025 will be disqualified.

All packages must include:

  • a completed Proposal Form;

Organizational Documents

  • brief biographies of the organization’s administrative and artistic leadership personnel;
  • financial statements for the most recently completed fiscal year;
  • a budget for the year/season in which the AMP work(s) will be performed;
  • a detailed concert budget showing the amount requested from the AMP Performance Fund (to a maximum of $25,000 CAD). The total request must not exceed 50% of the total concert budget.

Artistic Materials

  • PDF copies of print materials (season brochure, concert program, posters, etc.) from both the last completed and current concert seasons;
  • recent recordings of two contrasting examples of your ensemble performing contemporary musical works (recordings may be submitted as audio and/or video files in MP3, WAV, MP4 or MOV—links to freely accessible audiovisual recordings posted online will also be accepted (e.g. YouTube videos, etc.);

Please note:

  1. AMP will only accept one proposal per music ensemble per year. Multiple proposals from the same ensemble in the same year will not be considered.
  2. Optional: Submissions may be accompanied by two letters of reference. All letters should clearly indicate the applicant’s name as follows: “(Ensemble’s Name) Letter of Reference, Azrieli Music Prizes Performance Fund”

AMP-Winning Works

Brian Current
The Seven Heavenly Halls for tenor solo, mixed choir and orchestra

Wlad Marhulets
Concerto for Klezmer Clarinet for solo clarinet and orchestra

Kelly-Marie Murphy
En el escuro es todo uno (In the Darkness, All is One) for solo cello, solo harp and orchestra

Avner Dorman
Nigumin (Violin Concerto No. 2) for solo violin and orchestra

Keiko Devaux
Arras for 14 musicians

Yotam Haber
Estro Poetico-armonico III for mezzo-soprano, 15 instruments and audio playback

Yitzhak Yedid
Kadosh Kadosh and Cursed for 14 musicians

Iman Habibi
Shāhin-nāmeh for voice and orchestra

Aharon Harlap
Out of the depths I have cried unto Thee, O Lord for soprano and orchestra

Rita Ueda
Birds Calling… from the Canada in You for sho, suona/sheng and orchestra

Josef Bardanashvili
Light to My Path, choral fantasy for mixed choir, saxophone, percussion and piano

Yair Klartag
The Parable of the Palace for choir and four double basses

Juan Trigos
Simetrías Prehispánicas (Prehispanic Symmetries), cantata-oratorio for mixed chorus and ensemble

Jordan Nobles
kanata for SATB voices a cappella

Ensemble Committments

An ensemble that receives AMP-PF support agrees to:

  • program the AMP-winning work(s) in a manner that features it/them in the best way imaginable and in accordance with world class professional standards;
  • rehearse and perform the work(s) to world class professional standards;
  • acknowledge the Azrieli Music, Arts and Culture Centre (AMACC) and the Azrieli Music Prizes (AMP), with text and/or logo placement in the concert programme and in all other print and digital materials related to the AMP-PF supported concert;
  • include a special statement in the concert house programme recognizing the Azrieli Music Prizes Performance Fund;
  • maintain open, timely and professional communication with AMACC concerning the execution of the supported rehearsals and the concert; and
  • provide a final report to AMACC following completion of the concert, including:
    • a letter recognizing the Azrieli Foundation’s support through AMP-PF;
    • a brief financial report indicating how the AMP-PF contribution was spent and what impact it had on the Concert;
    • concert documentation, including but not limited to the house programme, photos and media reviews; and
    • a one-page reflective statement on how the concert helped meet AMP objectives.

Some Considerations for Successful Submission

In addition to the guidelines and requirements stated above, The Azrieli Music Prizes Advisory Council has provided the following considerations to help shape a more successful submission.

  • Don’t worry about how ‘Jewish’, ‘Canadian’ or ‘International’ your programming is or is not. Ensembles from all nationalities, faiths, backgrounds and communities are equally welcome to apply. In fact, one of the Foundation’s hopes for AMP is to generate productive intercultural understandings through a rich consideration of what Jewish, Canadian or International music is and can be.
  • A successful proposal must be conceptually and musically balanced. Strong, musical examples accompanied by an insubstantial and/or ill-conceived concert proposal will not succeed within the competition. The inverse is also true: a strong concert proposal will not compensate for weak musical examples. The two must go hand-in-hand.
  • It is preferred that AMP-winning works be programmed alongside other works from the 20th and 21st Century concert repertoire. That said, compelling proposals for programming alongside earlier works will be considered.
  • Please note that the quality of the support documents greatly affects the ability to evaluate a proposal. Please ensure that submitted recordings are as clear and undistorted as possible and that print materials are clean and legible. If the reproduction quality is so low that it is difficult to ascertain the product, then this will impact the Council’s evaluation.
  • Please be certain that submitted written materials and musical examples demonstrate your ensemble’s ability to undertake the rehearsals and concert for one or more of the AMP-winning works to world class industry standards. AMP seeks to support ensembles that will showcase these works at the same level of excellence we expect of our Laureates.

Review Process and Criteria

Once received, proposals are registered and screened by AMP staff for eligibility and completeness. The proposals that pass this screening are delivered to the AMP Advisory Council as qualified submissions. The Council will evaluate qualified submissions for their fit and relevancy to the objectives of AMP and the purpose of the Performance Fund. The Council will review and grade the submissions using the following three main criteria: Artistic Merit, Thematic Fit and Capacity. These criteria are separately weighted based on their level of importance to arrive at a score out of 100 for each evaluated submission.

Artistic Merit (50 points)

This is the most important criteria the Council applies in evaluating each submission. It is directly tied to the ensemble’s proven ability to program and perform new concert music at the highest artistic standards. The Council will determine:

  • the level of creativity and distinctiveness displayed in the ensemble’s programming;
  • the ensemble’s capacity to generate high-quality professional performances; and
  • the ability of the submitted musical examples to sustain a listener’s attention over their entire length.

Thematic Fit (30 points)

The Council will evaluate whether the qualified submission:

  • proposes a relevant thematic fit to the objectives of the Azrieli Music Prizes;
  • presents one or more of the AMP-winning works in the best way imaginable, in accordance with world class professional standards;
  • offers an authentic expression of the ensemble’s current and past programming; and
  • produces productive intercultural understandings through a rich consideration of what Jewish, Canadian or International music is and can be.

Capacity (20 points)

The Council will evaluate the qualified submissions for the ensembles’ ability to execute their concert projects as proposed.

Can the proposal be realistically and successfully achieved? Does the ensemble demonstrate enough previous experience to assure the Council that it will deliver on its proposal on time and on budget? Has the ensemble’s leadership allocated adequate resources to meet the expected standard of achievement?

Those proposals for which the Council can answer these questions in the affirmative will advance in the competition.

All decisions made by the AMP Advisory Council are final and non-negotiable. There is no appeal process.

Notification

The AMP Advisory Council anticipates making decisions concerning which ensembles/proposals will receive AMP-PF support approximately two months after the submission deadline (i.e. by September 4, 2025). Successful applicants will be notified by AMP staff via email with an AMP-PF funding agreement (in writing) to follow 3-4 weeks later. All other applicants will receive a notification letter at the same time.

Feedback

The Council eagerly welcomes feedback on how to improve the AMP-PF application, evaluation, notification and implementation processes. Feedback may be sent by email to music@azrielfoundation.org with the subject line “AMP-PF Feedback” or by post to:

Attn: Azrieli Music Prizes Performance Fund
2 St. Clair Avenue West, 9th Floor
Toronto ON M4V 1L5
CANADA

The AMP Advisory Council
Ana Sokolović, Chair

Composer Ana Sokolović was born in Belgrade and, since 1992, has been based in Montréal. Her vast catalogue, inspired by differing artistic disciplines, playful images and Balkan rhythms, has been performed regularly throughout Europe and North America.

Sokolović’s works have been recorded on more than 20 albums, earning her two consecutive JUNOS for Classical Composition of the Year. Her opera Svadba, which “seems to invent a universal phonetics of the human heart” (Le Monde), has been performed more than fifty times. In 2021, Sokolović was appointed composer-in-residence of the Orchestre symphonique de Montréal. In 2022, she was awarded the First Canada Research Chair in Opera Creation at the Université de Montréal, where she is a Professor in Composition. Sokolović’s music is published by Boosey & Hawkes.

Sharon Azrieli, CQ, DMus

Celebrated Montréal singer Sharon Azrieli CQ, DMus has performed all around the world, including with the Metropolitan Opera, Sarasota Opera, The Canadian Opera Company, L’Orchestre Métropolitain and at venues including the world-famous Carnegie Hall. For her 38-year versatile career, she was awarded the Chevalière du Québec in 2019. Her albums include A Tribute to Michel Legrand (with Tamir Hendelman,) French Opera Arias, Go To Sleep My Babies, Easily Assimilated (with Matt Herskowitz), Three Concerts with Boris Brott and Frankly Sharon (with Frank Wildhorn), with upcoming albums Canadian Musical Theater, Frank Wildhorn II and a Big Band album.

In film, she portrayed Dinah in the award-winning Holocaust movie SHTTL, Helen in Irena’s Vow and Maxine Cromwell in Wingman. Sharon, who created the Azrieli Music Prizes for the Azrieli Foundation, is dedicated to arts education and philanthropy, serving on the boards of the Azrieli Foundation, the CVAI, L’Orchestre Philharmonique du Québec, the McCord-Stewart Museum and the NAC Foundation.

Brian Current

Brian Current’s music has been broadcast in over 35 countries and awarded a Guggenheim Fellowship, a Barlow Prize (USA), a Premio Fedora (Italy), a Jules Léger Prize and a Selected Work (under 30) at the International Rostrum of Composers.

In 2016, he won the inaugural Azrieli Commission for Jewish Music. Brian’s pieces have been programmed by all major symphony orchestras in Canada and by dozens of professional orchestras, ensembles and opera companies worldwide. His music appears on ten commercial recordings, including three albums devoted exclusively to his works.The Naxos recording of his opera Airline Icarus earned him the 2015 JUNO Award for Best Classical Composition of the Year. Current is also an in-demand guest conductor and regularly leads ensemble and orchestral programs of contemporary music. In 2021, he was appointed Artistic Director of New Music Concerts (NMC).

Since 2007, Dr. Current has been Director of the Glenn Gould School’s New Music Ensemble at The Royal Conservatory.

Jonathan Goldman

Jonathan Goldman is Professor of Musicology in the Université de Montréal Faculty of Music, where his research focuses on modernist and avant-garde music. His book The Musical Language of Pierre Boulez (Cambridge University Press, 2011) won an Opus Prize for book of the year. In November 2018, his co-edited volume of Boulez’s writings (Music Lessons) was published by Faber (UK) and University of Chicago Press. He edited a volume on Quebec composers in 2014 (PUM) and was editor of the contemporary music journal Circuit from 2006 until 2016. His new book, Avant-Garde on Record: Musical Responses to Stereos, was published by Cambridge University Press in 2023.

Jonathan also performs on the bandoneon, having appeared as a soloist with such orchestras as I Musici de Montréal, Signature Symphony Tulsa and Symphony Nova Scotia. In 2015, he won a JUNO award alongside the other members of the Canadian tango ensemble Quartango for best instrumental album as well as two Opus Prizes.

Sylvia L’Écuyer CM

Sylvia L’Écuyer CM is dedicated to the vitality of the arts and music in Canada.

A musicologist by training, and a skilled communicator, she recently retired from Radio-Canada, where she has been sharing her love of classical music with audiences for over 30 years. She has also been Radio-Canada’s director of musical programming and has been a jury member for several arts boards. In addition to her active involvement in the community, she co-founded the Société pour les arts en milieux de santé. She is currently also an Associate Professor at the Université de Montréal Faculty of Music. She made a documentary film (Bali by Heart) about a project of mixing Balinese and Western music in 2006.

In 2007, the French government awarded her the title of Knight of the Order of Arts and Letters. In 2017, she was named a member of the Order of Canada.

Barbara Seal, CM 

Barbara Seal CM is a former citizenship judge, former municipal councillor for the City of Hampstead and a former board member of Place des Arts, the Conseil des arts de Montréal, Montreal Urban Community and the National Forum on Climate Change. She is actively involved in public and community spheres and presently sits on the boards of the National Arts Centre Foundation, the Segal Centre for Performing Arts, the Advisory Board at the McGill School of Continuing Studies and the Advisory Council of the Azrieli Music Prizes. She has received numerous awards and distinctions for her dedication to the community, such as the Canadian Cancer Society Award, the Canadian Parks and Recreational Association Award, the Queen’s Golden Jubilee Medal, the National Assembly Award as well as the Order of Canada in 1993.

She established the Barbara Seal Scholarship for Newcomers to Canada at McGill University in 2012 and participated in the creation of a science internship scholarship for Quebec female students at Tel Aviv University in 2018.

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